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Scheduled Events

Thursday Night Football

Sep
18
5:15 pm





Thursday, September 18Footballresize

Doors open at 5:15 PM

Game at 5:25 PM

Doors Open 10 minutes before Game

Atlanta Falcons at Tampa Bay Buccaneers

All ages

FREE with minimum $5 food or beverage purchase


Monday Night Football

Sep
22
5:20 pm





Monday, September 22Footballresize

Doors open at 5:20 PM

Game at 5:30 PM

Doors Open 10 minutes before Game

Chicago Bears at New York Jets

All ages

FREE with minimum $5 food or beverage purchase

Join us for Monday Night Football this season at the ATL.


World Famous and The Arcata Theatre Lounge Present Keys N Krates, Gladiator, ThugLi

Sep
23
9:30 pm

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Tuesday, September 23

Doors open 9:30 PM

$15 limited advanced ticket at World Famous Productions

$20 advanced tickets at Wildberries, People’s Records and The Works.

gold-bar

 

Happy hour prices on food and beverage until 10:30 PM

21 and Over

World Famous and The Arcata Theatre Lounge present Keys N Krates, Gladiator, and ThugLi.

KEYS N KRATES

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Keys N Krates formed as the brainchild of drummer Adam Tune, synth/keyboard aficionado David Matisse and internationally award-winning turntablist Jr. Flo. The Toronto trio came together in 2008 with the desire to bring their blend of live electronic instrumentation to the stage.

They’ve often been referred to as the worlds only “trap band,” a title they reluctantly accept. Tune says it best: “At the end of the day, people are going to call us whatever they want. We are referencing everything from classic house music to Timbaland in our beats, but I think the trap references tap into what the current sound is, and we are okay with that.”

Having toured their unique blend of hip hop and bass music extensively across North America, Keys N Krates put out a slew of original music in 2013. Their most recent body of work, titled SOLOW EP, was released via Steve Aoki’s Dim Mak Records in September 2013.

The EP features KNK’s banger “Treat Me Right,” which launched with the support of figureheads like Diplo, Major Lazer, Flosstradamus, and TNGHT. It went to number one on Hype Machine, continues to chart on the Beatport Hip Hop Chart, and remains a fixture in DJ sets and car stereos across the globe.

Premiered by Annie Mac on BBC Radio1, their second single off SOLOW EP, “Dum Dee Dum,” experienced a similar kind of success on the charts and has solidified the trio as creators of anthemic party music with a quickly growing fan base.

KNK has since explored their love for rap music by creating a remix of “Dum Dee Dum.” Featuring G.O.O.D. Music’s Cyhi The Prynce, King Louie, and Tree, the track has received glowing reviews from the likes of Fader Magazine, Vice Mag, and NahRight. “We had so much fun doing that rap remix,” says Flo. “We can’t wait to work with more rappers and vocalists in general.”

Perhaps what truly separates Keys N Krates from the mass of Electronic and Hip Hop producers out there is the unique show they create by performing their bassy beats as a band, completely live. When you go to a KNK show, you will see their music and the music of others morphed and turned on it’s head using only drums, keys, turntables and live sampling. This unique style creates not only a crazy dance party, but an experience and vibe like no other.

As a result, KNK have found themselves playing some of the world’s largest Festivals, including Lollapalooza, Electric Zoo, Ultra Music Festival, Osheaga, and Sonar Festival (to name a few.) As Matisse says, “Our favourite thing is playing live and bringing people into our world.”

 

GLADIATOR

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Gladiator is a DJ/Production duo comprised of Los Angeles natives Dan and Ian. Known for bringing an irresistible sense of fun and passion to every set, whether it’s a sweat-soaked nightclub or in front of thousands at a festival, this duo is on the rise in the electronic dance music scene. Armed with a dynamic and unique sound, their genre-bending style aims to push the conventional boundaries of dance music. Their love of the Lakers and all things Mila Kunis fuels their productive fire with the aim of making crowds across the country turn up.

 

 

 

THUGLI

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ATL Productions Presents Rising Appalachia and The Human Experience: Soul Vision

Sep
24
8:00 pm





Wednesday, September 24RisingAppalachiaLorezresize

Doors at 8 PM

$20 at the Door

$15 advanced ticket at

ATL, Wildberries, People’s Records and The Works.

Happy hour prices on food and beverage until 9:00 PM.

21 and Over

Rising Appalachia

Rising Appalachia brings to the world new sounds, stories, and songs collected across oceans and originally sculpted to embody our human journey, our global community, and the treasures and troves of soul harmony.  Led by sisters Leah and Chloe, the band tears into sound with sensual prowess as stages ignite revolutions and words light up soul fires. Listen to their beautiful sound for poetic harmonies, soul singing, spoken word rallies, banjos, fiddles, organic bass and groove rhythms. With an array of incredible collaborators, they are joined by everything from jazz trumpet to beat boxing, Afro-cuban percussion to Appalachian fiddlers, poets to burlesque and circus art as their style redefines performance using sound as a tool to spark a cultural revolution and birth a new movement of unity and healing.

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Intentionally self-managed and produced for the last 8 years, Rising Appalachia has toured over 30,000 miles across the United States and graced many stages around the world, Rising Appalachia’s vision and sound is quickly proving to be contagious to everyone it touches. …they have toured heavily both nationally and internationally boasting events all across the board but including: Joshua Tree Music Fest, Envision Festival, Burning Man, Rootwire, Naropa University, the Kennedy Center in Washington DC, National Public Radio All Songs Considered, The School of Americas Vigil, Nunez Arts Festival New Orleans, Emory University Schwartz Center, The Floyd Festival, The Beacon Theater NYC, The Lake Eden Arts Festival, Radio Popular Italy, Guerilla Radio Amsterdam, The Edinburgh Fringe Festival, The Highlander Center 75th Reunion, Urkult Sweden, Lightening in a Bottle, Symbiosis, and the OZORA festival in Hungary…

Their career has produced 5 albums, one full length documentary DVD, a host of beautiful artful music videos, a new collaborative release with The Human Experience, and more coming every season.

They have sculpted a path for the new generation of music aficionados and created a new lens to understand the impact of global sound on the world at large. Having been raised in the American South with Appalachian lullabies at night and soul music for breakfast Sisters Leah and Chloe have drawn great inspiration from their global community. Their mother and father claimed art and music as a full part of their lives and the girls have been shaped by the sounds of the South. They have continued to use those powerful roots to find musical connections and community around the world.

Website

Facebook

The Human Experience

“The Human Experience” is David Block’s principal project as a live electronic composer, multi-instrumentalist, producer. Listeners experience a delicious symphonic blend of prismatic soundscapes and sultry beats.

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David is constantly pushing the boundaries of live electronic music. Playing, composing, and conducting his own electronic symphony live on stage, his performances are brimming and layered with human emotion, world exploration, and sacred sounds. Whether performing by himself, or with a live band, “The Human Experience” always delivers an emotionally charged show.

“The Human Experience” aims to cross cultural barriers through music. David has collaborated with artists all over the world including Ignacio Perez (Buena Vista Social Club), William Close (The Earth Harp), Random Rab, Govinda, Amae Love, Rising Appalachia, and many others.

Since his debut album “Inaudible Sounds” in 2010 , he has released four other albums in the last two years and has four new projects planned for release in 2013. Each song is a sonic journey; interweaving psychedelic layers of melody and harmony with organic grooves and international vibes.

Composing and performing live with the Audio/Visual/Dance projects “Phadroid” (Andrew and Phaedra Jones), “Quixotic”, “Lucent Dossier”, and “Seraphim” David is expanding his sounds into the mixed media world.

Since 2010, David has performed all over the world sharing the stage with renowned artists such as, Thievery Corporation, Bonobo, Tipper, Random Rab, Emancipator, Bluetech, Kalya Scintilla, and Kaminanda.

Over the last three years he has toured in England, Portugal, Germany, Russia, Israel, Costa Rica, Mexico, Guatemala, Canada, and all over the United States at a variety of events including festivals like Boom, Burning Man, Lightning in a Bottle, Satya, Symbiosis, and Envision.

David is consistently redefining himself as an artist, performer, and human being. Moving and traveling around the world, meeting people from all walks of life and realms of consciousness, he is continually learning, growing, and sharing inspiration with those around him.

“We don’t play music, music plays us” – David Block

Website

Facebook

Soul Vision

“Rising Appalachia” is a genre-bending force of sound that uses vocal harmony, traditional instrumentation, roots music, lyrical prowess and diverse artistic collaborations to defy cultural clichés and ignite musical rebellion…”

“The Human Experience” is David Block’s principal project as a live
electronic composer, multi-instrumentalist, producer. Listeners
experience a delicious symphonic blend of prismatic soundscapes and
sultry beats.

“Rising Appalachia and The Human Experience met many years ago on the shores of southern India. After spearheading each of their own unique musical paths, they have joined forces to birth a soulful new electro/acoustic collaboration, merging sounds from around the world in an elaborate artistic love-child of beats, voice, banjo and bass. “Soul Visions” is their first step in the long journey of bringing together electronic music and soul, folk and ballads, bass rhythms and swamp-womp in an effort to bridge worlds through aural exploration. “Soul Visions” speaks to the lover and the dance floor, the ritual holder and the song collector and the visionary and the shadow-worker… bringing deep root sounds into a highly mechanical world.”

Album Site


Wild Reverence: The Wild Steelhead’s Last Stand (2014)

Sep
25
6:00 pm





Thursday, September 25shane snork 4 xt sml. low qualresize

Doors at 6:00 PM

$10 advanced tickets available at Ticket River

Tickets at door are $10 general / $5 students

Unrated

Director Shane Anderson made a pilgrimage back to the Olympic Peninsula in Washington state to the rivers he once fished as a boy.  His relationship with the wild steelhead and the rivers in which they met upon taught him just how precious life can be.  What was once a childhood fishing trip has evolved into a journey to find answers why his favorite fish is disappearing from the rivers and appearing on the Endangered Species list.  How could this wild and beautiful creature slip toward the abyss of extinction?

WILD REVERENCE embarks on a quest to begin a movement to enact real change not only for the steelhead but for all ecosystems.


ATL Productions Presents Karl Denson’s Tiny Universe Featuring Roosevelt Collier & Daniel Bambaata Marley

Sep
26
8:00 pm





Friday, September 26kdtu_fall_admat_2014_w_rooseveltresize

Doors 8:00 PM

$25 at the Door

$25 advanced ticket at ATL

$25 advanced tickets at WildberriesPeople’s Records and The Works.

Happy hour prices on food and beverage until 9:00 PM.

21 and Over

>>ATL Facebook Event Page<<

Karl Denson’s Tiny Universe

For nearly three decades, legendary saxophonist Karl Denson has been getting crowds around the world out on the dance floor.  Approaching iconic status, Denson has moved bodies and minds dating back to his earliest years with Lenny Kravitz’s band through his ongoing tenure as a founding member of seminal boogaloo revivalists The Greyboy Allstars and his current roll as a member of San Diego dub rockers Slightly Stoopid.  Nowhere, however, is this more apparent than with his band, Karl Denson’s Tiny Universe.  Touring relentlessly for the past 15 years and leaving a massive audience in his wake, fans know that when KDTU is in town a dance party will ensue.

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Karl and his band are back on the road for a multi-city tour in support of their latest studio album, New Ammo, an infectious 13-track collection, and Denson’s debut release on Slightly Stoopid’s record label, Stoopid Records. Alongside Denson originals like the title track and “Everybody Knows That,” which have become fan favorites from his live sets, KDTU offers up searing versions of “Seven Nation Army” by The White Stripes, “Hang Me Up To Dry” by Cold War Kids and “Sure Shot” by The Beastie Boys. The first single “My Baby,” features Nicki Bluhm on vocals.

In Denson’s own words: “We’ve finally figured out how to capture in the studio what the Tiny Universe does live. We move around a lot musically, but this record reflects who we are as a band and where we’re headed with our music.”

 

 

Roosevelt Collier

Soft-spoken by nature, south Florida-bred Roosevelt Collier does his hollering on the sacred steel guitar. Brought up in the tradition of the House of God Church, Roosevelt built his reputation alongside his uncles and cousins in The Lee Boys, known for their spirited, soul-shaking live performances. Seated front and center, “The Dr.” leaves an indelible mark on listeners, flooring audiences with his lightning-fast slide work on the pedal steel. At festivals, he is a regular “Artist at Large,” performing alongside many of music’s most prestigious acts, from the Allman Brothers, to the Funky Meters, to Los Lobos to the Del McCoury Band. Whether on tour with the Lee Boys, bouncing from stage to stage at festivals, or hosting an allstar get down in Miami, when Roosevelt takes the stage, the ear-to-ear grins can’t help but be contagious.

 

Daniel Bambaata Marley

The oldest of Ziggy Marley’s six kids, Daniel Bambaata Marely mixes contemporary influences like vintage hip-hop and rap with reggea. Having started recording in the Marley’s family music studio during middle-school, Bambaata, now in his twenties, is continuing and revolutionizing the Marley musical legacy. 

 


Random Acts Of Comedy

Sep
27
7:30 pm





Saturday, September 27RandomActsOfComdeyLOGO_3

Doors at 7:30 pm

Show at 8 pm

$6

All ages

10 yr + with parental guidance suggested

Watch the improv all-stars of Humboldt County, Random Acts of Comedy, at an improv comedy showcase with spontaneous scenes, hilarious games, snappy songs, and fantastic stories all made up on the spot based on audience input. You say it, we play it–like magic! Join us for our 6th Season!!


Sunday Football

Sep
28
1:15 pm





Sunday, September 28Footballresize

Doors open at 1:15 PM

Game at 1:25 PM

Doors Open 10 minutes before Game

Philadelphia Eagles at San Francisco 49ers 

All ages

FREE with minimum $5 food or beverage purchase

 


Ghostbusters (1984)

Sep
28
5:30 pm





Sunday, September 28ghostbusters_movie_posterresize

Doors at 5:30 PM

Movie at 6:00 PM

Film is $5

Rated PG

Who ya gonna call?

Peter Venkman (Bill Murray), Ray Stantz (Dan Aykroyd), and Egon Spengler (Harold Ramis) are three scientists at Columbia University in New York City. When their grant expires, the guys are fired and they go into business as a ghost extermination company called “Ghostbusters”. Armed with proton guns, the Ghostbusters become wildly popular, and they are joined by Winston Zeddmore, who is looking for a job with good pay. Overzealous Environmental Protection Agency (EPA) agent Walter Peck thinks the Ghostbusters are frauds, and he has the Ghostbusters put in jail. Peck is forced to believe the Ghostbusters when New York City is put under is besieged by an army of unfriendly spirits, conjured up by a long-dead Babylonian demon and “channelled” through beautiful cellist Dana Barrett (Sigourney Weaver) and nerdish Louis Tully (Rick Moranis). The most expensive comedy made up to 1984, Ghostbusters made money hand over fist, spawning not only a 1989 sequel but also two animated TV series (one of them partially based on an earlier live-action TV weekly, titled The Ghost Busters).


Monday Night Football

Sep
29
5:20 pm





Monday, September 29Footballresize

Doors open at 5:20 PM

Game at 5:30 PM

Doors Open 10 minutes before Game

New England Patriots at Kansas City Chiefs

All ages

FREE with minimum $5 food or beverage purchase

Join us for Monday Night Football this season at the ATL.


The Screaming Skull (1958)

Oct
1
6:00 pm





Wednesday, October 1Poster_for_The_Screaming_Skullresize

Doors at 6 PM

All ages

FREE with minimum $5 food or beverage purchase

Beer and Pizza specials all night long!

The best in B science fictions movies, drive-in classics, psychotronic weirdness and more. A free raffle before the feature include some very cool, very strange science fiction prizes including figurines, posters, books, cards, VHS movies and more for that inner science fiction enthusiast in us all.Sponsored by La Dolce Video, Savage Henry Magazine, Scrap Humboldt, Phantom Wave Records, Daisy Drygoods, Vintage Avenger, Tin Can Mailman, The Clothing Dock and more.

Will she lose her mind?

“For reasons best known to local TV programmers, the modest shocker The Screaming Skull was telecast on what seemed to be a daily basis in the 1960s. The hero-villain is Eric (played by John Hudson, who later billed himself as William Hudson), the husband of neurotic millionairess Jenni Peggy Webber. By strategically placing miniature skulls all over the house, Eric hopes to drive Jenni into madness so that he can take control of her fortune. The police suspect that Mickey the gardener Alex Nicol, who also directed the film) is the man behind the campaign of terror, but the truth finally surfaces in the last reel, wherein Eric gets what’s coming to him-and more besides. … “ ~ Hal Erickson, Rovi


Leftover Salmon Featuring Bill Payne of Little feat with Special Guests Absynth Quintet

Oct
2
8:00 pm





For Two Nights!AQ_LOS2014webresize

Thursday, October 2

Friday, October 3

Doors at 8 PM

Shows at 9 PM

Tickets available at  Wildberries

$25 per night

$45 for both nights

Tickets also available online at ATL per night only

Happy hour prices on food and beverage until 9:00 PM.

21 and Over

 

Leftover Salmon

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Looking back over the past 25 years of rootsy, string-based music, the impact of Leftover Salmon is impossible to deny. Formed in Boulder at the end of 1989, the Colorado slamgrass pioneers were one of the first bluegrass bands to add drums and tour rock & roll bars, helping Salmon become a pillar of the jam band scene and unwitting architects of the jam grass genre.

Though the lineup would change through the years, the foundation of Leftover Salmon was built on the relationship between co-founders Drew Emmitt (vocals, guitar, fiddle, mandolin), Vince Herman (vocals, guitar,washboard) and Mark Vann (electric banjo). Following a decade of constant growth and constant touring, on March 4, 2002, Mark Vann lost his battle with cancer. Vann insisted that the band carry on and Salmon did so for several years leading up to an indefinite hiatus in 2005. If Leftover Salmon had never played another note after leaving the stage in 2005, the legacy would have been secure; the members’ names etched in the books of history. But today, more than two decades after Salmon first took shape, the band has a new album, Aquatic Hitchhiker, on LoS Records, a new banjo phenom named Andy Thorn, and a new lease on an old agreement. Leftover Salmon is officially back.

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Thorn grew up a Salmon fan in North Carolina and says the band helped him realize “this is what I want to do with my life.” Ironically, it’s his presence in the group that has given Leftover Salmon new life. “Andy’s a real young guy with a lot of great energy who plays in a way that definitely relates to Mark’s [Vann] playing and he’s a lot of fun to be around, it’s led to a real revival that just clicks on some hard to describe level” says Herman. “We’ve played with some great banjo players over the past few years, and not to say anything about them being less than great musicians, but there’s just something intangible about playing with Andy that kind of makes Drew and I look at each other and grin. This is what we’ve been missing as far as that feeling between Drew, Mark and I that used to be there.” Produced by Los Lobos’ Steve Berlin, Aquatic Hitchhiker is Leftover Salmon’s first record in eight years and first ever of all original material. “Steve [Berlin] understood where this album needed to go and how we all needed to work together as a band to make it happen” explains Emmitt. The recording process solidified the new Salmon, cauterizing old wounds and allowing fresh ideas to grow over past scars.

 

Absynth Quintet

 

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HighTimes Magazine Unsigned Band Of the Month

Gratefulweb Band of the Month

Music Featured on Mandolin Cafe

“It!s not a leap to suggest that Absynth Quintet will be a big deal on the west coast string band circuit in short order.” – The Metro, Santa Cruz.

“A bionic string band?” Fire breathing traveling-gypsy-circus-indie-grass?” The Absynth Quintet purvey a truly unique brand of high energy acoustic music. “The band’s sound, born and cultured in the fertile hills of Humboldt County, Ca. melds a reverent treatment of time honored American music with a reckless, virtuosic and often zany approach to innovation.” There’s something Django-esque, something distinctly Eastern European that saturates many of the songs, but always present is the foot-stomping influence of bluegrass roots.

In response to Indigo Shoes, the AQ raised the money needed for their second album by pre-selling it on Kickstarter. Promptly, they began work on their latest album, ‘IOTA’, which was released in 2011.” Michael Dronkers, program director for KHUM and KSLG radio said “…their semi-nerdy songwriting and brilliant virtuosity don’t overpower the melodies that overrun Iota.” This record succeeds at every level.”

Matt Eakle of the David Grisman Quintet said of” IOTA, “The AQ hit a home run! Great original material, some of the tunes sound like they were written at the height of the bluegrass era, 60 years ago, but about modern subject matter. VERY COOL!”

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“While touring to support their latest release, the band has shared the stage with such greats as Hot Buttered Rum, Emmitt-Nershi Band, Railroad Earth, Devil Makes Three, Rushad Eggleston, Fareed Haque,  Leftover Salmon  and Matt Eakle of the Grisman Quintet.

” Absynth Quintet finds a space between street corner busking, sit down concerts at The Freight And Salvage and all night laser light shows.” They tap into their diverse musical roots and teases out something fresh, original and relevant to today’s music scene.

 


Monday Night Football

Oct
6
5:15 pm





Monday, October 6Footballresize

Doors open at 5:20 PM

Game at 5:30 PM

Doors Open 10 minutes before Game

Seattle at Washington

All ages

FREE with minimum $5 food or beverage purchase


The Wild and Scenic Film Festival

Oct
7
6:00 pm





Tuesday, October 7WildScenicFilmFest1

Doors at 6:00 PM

Movie at 6:30 PM

Tickets available at the EPIC office at 145 G Street, Suite A in Arcata, and available on the EPIC website 

Call 822-7711 for more information

Unrated

The Wild & Scenic Film Festival is a call to action. At Wild & Scenic, film goers are transformed into a congregation of committed activists, dedicated to saving our increasingly threatened planet. We show environmental and adventure films that illustrate the Earth’s beauty, the challenges facing our planet, and the work communities are doing to protect the environment. Through these films, Wild & Scenic both informs people about the state of the world and inspires them to take action. Wild & Scenic raises resources and awareness for EPIC’s initiatives to recover Northwest California’s native species and to protect and restore the redwood forest ecosystem.” –From the EPIC website 

Visit the EPIC website for more info on specific films being shown.


The Bat (1959)

Oct
8
6:00 pm





Wednesday, October 8220px-Thebat_2posterresize

Doors at 6 PM

All ages

FREE with minimum $5 food or beverage purchase

Beer and Pizza specials all night long!

The best in B science fictions movies, drive-in classics, psychotronic weirdness and more. A free raffle before the feature include some very cool, very strange science fiction prizes including figurines, posters, books, cards, VHS movies and more for that inner science fiction enthusiast in us all.Sponsored by La Dolce Video, Savage Henry Magazine, Scrap Humboldt, Phantom Wave Records, Daisy Drygoods, Vintage Avenger, Tin Can Mailman, The Clothing Dock and more.

“When it flies, someone dies…”

“This fourth film version of the Mary Roberts Rinehart-Avery Hopwood stage chestnut The Bat is so old-fashioned in its execution that one might suspect it was intended as “camp” (though that phrase wasn’t in common usage in 1959). Agnes Moorehead plays mystery novelist Cornelia Van Gorder, whose remote mansion is the scene for all sorts of diabolical goings-on. The “maguffin” is a million dollars’ worth of securities, hidden away somewhere in the huge and foreboding estate. Vincent Price is seen committing a murder early on-but he’s not the film’s principal villain. Others in the cast include Gavin Gordon as an overly diligent detective, and former Our Gang star Darla Hood as a murder victim. The Bat was adapted for the screen by its director Crane Wilbur, himself a prolific “old dark house” scenarist and playright.” ~ Hal Erickson, Rovi


Stand Up! Comedy And Arcata Theatre Lounge Presents The Triumphant Return Of Johnny Taylor.

Oct
9
8:00 pm





Thursday, October 9Oct9small (1)resize

Doors at 8:00 PM

Show at 9:00 PM

$10 advanced tickets available online here

$10 at the door

18 and over

Stand Up! Comedy and Arcata Theatre Lounge  presents The Triumphant Return of Johnny Taylor.

Get ready Humboldt County, because you are about to witness The Triumphant Return of Johnny Taylor! His first comedy album, Tangled Up In Plaid, releases on September 23, and he is returning to Humboldt to celebrate the release. He’s bringing up and coming Sacramento comedian Jaime Fernandez with him, and they’ll be teaming up with Kim Hodges and your host, Tony Persico for an amazing show. And don’t worry about going out on a Thursday night – you’ll be home by 11, and you can laugh your ass off without completely ruining yourself for work the next day!

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Sacramento’s Johnny Taylor uses sharp wit, and off-beat sensibilities to communicate his sometimes tragic life experiences in a hilarious way. A dynamic performer, Johnny has established a reputation for displaying a wide range of comedic styles. He has opened for some of the biggest names in stand-up comedy, including Robin Williams, Bobcat Goldthwait, Brian Posehn, Wayne Federman, and more. Johnny is a regular at every major comedy club in Northern California, including the San Francisco Punch Line, Sacramento Punch Line and Cobbs Comedy Club, 142 Throckmorton Theater, and was recently featured on Comedytime.TV.

Jaime Fernandezjaimie

Jaime Fernandez is a Sacramento based stand-up comic who has performed all over the Northern California scene. Drawing primarily from real life her dark, verbose, often self-deprecating humor plays with an audience’s perception of women, dating, relationships and the world at large. She co-hosts a weekly open mic at midtown’s Luna’s Cafe, hosts and produces a monthly story telling showcase at the Sacramento Comedy Spot, and has performed at San Francisco Punch Line, Sacramento Punch Line, Sacramento Comedy Festival, opened for Last Comic Standing’s David Huntsberger– and still works a cubicle heavy day job in web development.

 


Ocean Night Film Screening

Oct
10
6:30 pm





13694rFriday, October 10

Doors at 6:30 PM

All ages

$3 suggested donation

Free for OC, Surfrider, and Baykeeper members & children 10 and under.

Every month: Ocean Night Films! From majestic documentaries to epic surf flicks, explore the great blue sea with Northcoast Environmental Center, Humboldt Surfrider, and Humboldt Baykeeper.

This month Ocean Night will be featuring a screening of Heroes of the Coast (2013).

Written, produced and directed by Janet Bridgers, the President of EarthAlert!, Heroes of the Coast (2013), tells the story of some of the Californians who invested their time, money and, sometimes, their careers, in supporting the passage of Proposition 20, The California Coastal Protection Act.

 

 


ATL Productions Presents Pimps of Joytime, Moon Hooch

Oct
11
9:00 pm





Saturday October 11

Doors at 9 PM

$20 at the Door

$15 advanced ticket at

ATL, Wildberries, People’s Records and The Works.

Happy hour prices on food and beverage until 10:00 PM.

21 and Over

The Pimps of Joytime

If you have yet to encounter the Brooklyn-based band, The Pimps of Joytime, prepare to take a funky ride! The PJT’s live events and recordings have captivated fans all across the country, as they have begun writing their own success story, show-by-show, and track-by-track.

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Bandleader Brian J is a charismatic and soulful visionary, whose well-crafted songs invite the listener to enter a world of infectious dance grooves and indelible melodies. Spending formative years in New York City, New Orleans and Los Angeles, Mista J honed his craft, becoming an accomplished live performer, multi-instrumentalist and producer.

In 2005, Brian began to assemble a group of righteously soulful vocalists and musicians to assist in bringing to life the musical concept that would become The Pimps of Joytime. The band’s diverse sound and spirited attitude is strongly influenced by the Brooklyn DJ culture and live music scene from which they emerge. Recent collaborations with legendary artists Cyril and Art Neville of the Neville Brothers and Roy Ayers have helped vitalize the band’s connection to its roots.

Over the course of the past five years, The Pimps have evolved into a road tested and audience approved groove machine. They have excited crowds at over 100 club dates and festivals in 2012 alone, and are on target to exceed that volume in 2013. The exponential growth of the band’s fan base can be partially attributed to an artful blend of musical styles, including elements of afro-beat, salsa, rock & roll and electronica. Brian J’s classic songwriting and the band’s undeniable swagger on stage consistently energize dance parties wherever they appear.

In 2011, The Pimps of Joytime released their second studio album, “Janxta Funk!” through the boutique label Wonderwheel Recordings. With a steadily increasing repertoire and a passionate following of music lovers nationwide, the time was right to fortify their organization. The wall of their Facebook page is constantly receiving enthusiastic posts from fans from around the globe as word of mouth further carries news of this fresh new arrival.

The Pimps of Joytime are poised to bring their audacious sound to savvy audiences around the planet. Their forthcoming third studio album coming this fall will be a new chapter in the book of the Funk and a testament to the fact that real music is alive and kicking!

Website

Facebook

Moon Hooch

Moon Hooch captured the imaginations of thousands with its infamous stints busking on subway platforms and elsewhere in New York City: two sax players and a drummer whipping up furious, impromptu raves. This happened with such regularity at the Bedford Ave station in Williamsburg, Brooklyn, that the band was banned from playing there by the NYPD. The trio’s subsequent tours with They Might Be Giants, Lotus, and Galactic as well as on their own have only broadened the band’s appeal. Wherever Moon Hooch plays, a dance party soon follows.

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Hornblow Recordings and Palmetto Records are now proud to release Moon Hooch’s second album, This Is Cave Music, on Sept 16, 2014. The title refers to the term Moon Hooch coined to describe their unique sound: like house music, but more primitive and jagged and raw. Horn players Mike Wilbur and Wenzl McGowen do this by utilizing unique tonguing methods, or adding objects — cardboard or PVC tubes, traffic cones, whatever’s handy — to the bells of their horns to alter their sound. Not to be outdone, drummer James Muschler gets swelling, shimmering sounds from his cymbals, and covers the head of his snare with a stack of splash cymbals to emulate the sound of a Roland TR-808 drum machine’s clap.

Wilbur was raised in Massachusetts, and Muschler in Ohio; McGowen grew up in several different European countries. The three met while students at The New School for Jazz and Contemporary Music in New York City, and they found in each other a common work ethic and holistic philosophy. Moon Hooch are committed to environmental and agricultural sustainability, and they’re such fans of Michael Pollan’s groundbreaking The Omnivore’s Dilemma that they visited the farm that Pollan profiled in the book, Polyface Farms, in rural Virginia while on tour in 2013. Moon Hooch literally caused a stampede when they set up and played their song “Tubes” in the pasture as cattle swirled in the background. (The trio lived to tell the tale, and the “Cattle Dance Party” video has been viewed nearly 200,000 times and counting on YouTube.) Muschler also maintains a blog called Cooking in the Cave (cookinginthecave.net) where he chronicles the band’s vegan tour-van culinary endeavors — it’s amazing what these guys can do with a hot plate.

While their self-titled first album, which cracked the top 10 of Billboard’s Jazz Albums chart, approximated the band’s acoustic approach to dance music, This IsCave Music takes their cave music hybrid further into electronic and pop music realms with synthesizers, post-production work, and even singing added to the mix. “We aren’t trying to do it for the sake of reaching a wider audience,” McGowen points out. “We are doing it because it’s where our passion has evolved to. This album is a culmination of that.”

Listening to this music, it’s easy to become emotionally invested. It may not always prompt you to strip off your clothes, but the emotional impact on both the musicians and their fans is visceral and undeniable.

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Monday Night Football

Oct
13
5:15 pm





Monday, October 13Footballresize

Doors open at 5:20 PM

Game at 5:30 PM

Doors Open 10 minutes before Game

49ers at Rams

All ages

FREE with minimum $5 food or beverage purchase


Dementia 13 (1963)

Oct
15
6:00 pm





Wednesday, October 15dementia-13-movie-poster-1963-1020197311resize

Doors at 6 PM

All ages

FREE with minimum $5 food or beverage purchase

Beer and Pizza specials all night long!

The best in B science fictions movies, drive-in classics, psychotronic weirdness and more. A free raffle before the feature include some very cool, very strange science fiction prizes including figurines, posters, books, cards, VHS movies and more for that inner science fiction enthusiast in us all.Sponsored by La Dolce Video, Savage Henry Magazine, Scrap Humboldt, Phantom Wave Records, Daisy Drygoods, Vintage Avenger, Tin Can Mailman, The Clothing Dock and more.

Someone has an axe to grind…

“A young Francis Coppola was given the job of directing this moody low-budget chiller after begging producer Roger Corman for the opportunity to reuse the sets for another film which Corman was shooting in Ireland. The story centers on the dysfunctional Haloran family, who live in a state of perpetual sorrow in a spooky Irish castle. Still mourning the death of her young daughter Kathleen — who drowned in the lake seven years ago — Lady Haloran (Ethne Dunn) tortures herself regularly by visiting the girl’s grave (when she’s not shrieking and collapsing in anguish every five minutes). When daughter-in-law Louise Haloran (Luana Anders) loses her husband to a heart attack, she manages to conceal the body for fear of being cut out of Lady Haloran’s will. To further complicate matters, a mysterious interloper begins prowling the grounds with an axe to grind… a very big axe. This enjoyable, quirky psycho-thriller is enlivened by Coppola’s inventive camera setups, atmospheric locations and Patrick Magee’s over-the-top performance as the leering family doctor. Despite some ragged editing (probably not Coppola’s doing), this has relatively high production values for a spare-change Corman project.” ~ Cavett Binion, Rovi

 


World Famous and The Arcata Theatre Lounge Present Minnesota: Mind Machine Tour, GJones and Jackal

Oct
18
9:30 pm





Saturday, October 18

Doors 9:30 PM

Door price t.b.a.

$15 limited advanced ticket at World Famous Productions

$20 advanced tickets at Wildberries, People’s Records and The Works.

gold-bar

Happy hour prices on food and beverage until 10:30 PM

21 and Over

 

Minnesota

Originally from Minneapolis, MN, Christian Bauhofer moved to Santa Cruz, CA at the young age of 18. Having just moved from the state, Christian’s newfound friends nicknamed him Minnesota, and unknowingly created his party crushing alter ego. A guitarist from the age of 12, Minnesota made attempts at forming bands until he attended Symbiosis Gathering for the first time in 2009. There he was drawn to the emerging Electronic Dance Music culture and all of a sudden knew what career path he wanted to pursue. Shortly after Symbiosis, Minnesota bought Ableton Live and his first midi controller, and within a few months was making hip-hop remixes that his friends couldn’t stop playing. Around the same time, Minnesota teamed up with a couple friends and started a production company called Vital SC (now Vital Events), but despite a string of successful shows with big name artists, Minnesota decided to split off from the promoting side of the industry in pursuit of his musical career. Now as Minnesota reflects back on his decision, he couldn’t be happier.

Many people try to fit Minnesota in one of the various subgenres of EDM, however, his music is so unique that it really can only be described as BASS music. Early on in his career Minnesota stated, “My goal is to make bass heavy Dubstep/Glitch-Hop music that’ll get you dancing, but it is not the same old three note transformer step,” and, “I try to focus more on the melodic side of Dubstep, and hopefully, make quality songwriting a more relevant factor in the genre.” Since these statements Minnesota has followed through on his word and created smooth, melodic, uplifting sounds that have been celebrated by fans nationwide, and have been lauded by the likes of Bassnectar, Adventure Club, Big Gigantic, Paper Diamond and more. “Quickly becoming a staple in my sets,” commented Bassnectar when discussing the use of Minnesota’s track “Push It”. “Perfect for when I need a track that is epic and churning but also melodically hyped.”

Now in his third year of touring, Minnesota has played nearly every major festival nationwide, played alongside STS9, Big Gigantic, MiMOSA, Zion I and Paper Diamond, and completed his first headlining tour (with support from Protohype & DCarls) this last Spring that hit over 35 cities. Now with 2014 approaching, he plans on dedicating a considerable amount of studio time in order to perfect his sound, something that he feels is of upmost importance in order for him to continue touring.

Minnesota’s goal seems simple: to release diverse productions that can win over any crowd. The support of his management team, agency, and some of the world’s greatest artists can only attribute to his hunger for more time spent on the road and in the studio. To those that haven’t had the opportunity to see Minnesota perform, make sure to be on the lookout for the next time he rolls into your city. To put it lightly, Minnesota is a name to watch.

 

 

GJones

 

Jackal

 


Hocus Pocus (1993)

Oct
19
5:30 pm





Sunday, October 19hocus_pocusresize

Doors at 5:30 PM

Movie at 6:00 PM

Film is $5

Rated PG

Three witches return to exact their revenge.

“The people of Salem capture and execute three witches for practicing witchcraft. Before their deaths, they vow to return to Salem 300 years on Halloween to exact their revenge. Three hundred years later, a skeptical, newly transplanted Californian, Max, explores the ruins of the legendary witches house and dares the witches to manifest themselves. Disregarding the warnings of his sister and girlfriend, Max lights the Candle of Black Flame. With that, the witches reappear to wreak havoc on the town. The kids take off with the witch’s spellbook. The sorceresses, who will die by the morning light if they don’t recite the incantation for immortality, have to get the books by whatever means they can.” – Rotten Tomatoes


Monday Night Football

Oct
20
5:15 pm





Monday, October 20Footballresize

Doors open at 5:20 PM

Game at 5:30 PM

Doors Open 10 minutes before Game

Texans @ Steelers

All ages

FREE with minimum $5 food or beverage purchase


Maniac (1934)

Oct
22
6:00 pm





Wednesday, October 22maniacresize

Doors at 6 PM

All ages

FREE with minimum $5 food or beverage purchase

Beer and Pizza specials all night long!

The best in B science fictions movies, drive-in classics, psychotronic weirdness and more. A free raffle before the feature include some very cool, very strange science fiction prizes including figurines, posters, books, cards, VHS movies and more for that inner science fiction enthusiast in us all.Sponsored by La Dolce Video, Savage Henry Magazine, Scrap Humboldt, Phantom Wave Records, Daisy Drygoods, Vintage Avenger, Tin Can Mailman, The Clothing Dock and more.

Beware! His insanity may consume even you.

“Produced and directed by exploitation specialist Dwain Esper and written by Mrs. Esper, Hildegarde Stade, this ultra low-budget “educational” melodrama not only defied logic but broke virtually every rule of narrative film-making. That would not necessarily be a detriment to a film ostensibly warning about the dangers of untreated insanity, but Maniac is so badly handled in an obvious attempt to both horrify and titillate that it defies description.

Vaguely based on Poe’s The Black Cat and referring in several scenes to the same author’s Murders in the Rue Morgue, Maniac told a rambling, sometimes incoherent story of a vaudeville impersonator turned lab assistant to an insane scientist. Like most Mad Medicos, Dr. Meirschultz (Horace B. Carpenter) is attempting to bring dead tissue to life but this particular scientist is accidentally killed in the process. His assistant (Bill Woods) takes over his persona, walling up the dead doc in the process.

The protagonist’s increasing dementia — which threatens to engulf the viewing audience as well — is depicted via inserts from silent films such as Benjamin Christensen’s classic Witchcraft Through the Ages and Fritz Lang’s Siegfried. There is plenty of gratuitous feline footage and at one point the fake Dr. Meirschultz actually devours a cat’s eye! (“Why,” he exclaims, “It’s not unlike a grape or an oyster!”) For unexplained reasons, the faux doctor examines a couple of women in various stages of undress. The presence of these women remains vague and they never appear again. There is also a deranged person (Ted Edwards) who believes he is the re-incarnation of the orangutan killer in “Rue Morgue”; a couple of women fighting with syringes; and various shots of girls lounging about in their underwear for no apparent reason other than audience titillation … “ ~ Hans J. Wollstein, Rovi